Summer 2022
mit dem special guest: Black River Delta

Essigfabrik, Köln
Di, 14.06.2022
Einlass: 19:00 Uhr
Beginn: 20:00 Uhr
38,00 € zzgl. Gebühren

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Credit Chuck Brueckmann
Credit Chuck Brueckmann

At this point, Myles Kennedy’s voice precedes him. Certainly, it courses through six chart-topping albumsfrom gold-selling rock juggernaut Alter Bridge, three records with Slash and The Conspirators, two albumsfrom The Mayfield Four, his 2018 solo debut Year of the Tiger, and guest appearances for everyone fromDisturbed and Halestorm to Gov’t Mule, Sevendust, Mark Morton and Darryl „DMC“ McDaniels. For asmuch as he remains renowned for his skyscraping timbre and earth-quaking bluesy wail, his musicianshipalso encompasses eloquent songcraft, thoughtful cinematic arrangements, and, of course, dynamic guitarfireworks as explosive as his astounding vocal range. That brings us to his second full-length solo album,The Ides Of March [Napalm Records]. These eleven tracks follow all of his muses into a pastiche ofdistorted rock ’n‘ roll frenzy, Memphis Delta-soaked blues catharsis, soul ponderances, and evendalliances into country.In essence, it presents every side of Myles Kennedy.“I wanted to make sure the record was diverse,“ he explains. „I’m a music geek. I’m a fan. When you’reknown for playing a specific genre of music, you don’t always have the opportunity to show your affinityfor other styles. That’s the beauty of making solo records. It’s your moment to step out and take chances.I count my lucky stars that I’ve had the good fortune to make records and tour the world with so manytalented musicians. With that said, the artist in me still needs to explore.“Year Of The Tiger provided the perfect launchpad for such exploration. Beyond gathering nearly 20 millionstreams, the record arrived to widespread critical acclaim. Metal Hammer rated it „4-out-of-5 stars,“ whileLoudwire ranked it at #1 on „The 30 Best Hard Rock Albums of 2018.“ Meanwhile, American Songwriterchristened him, „one of the last true, rugged, gritty and compelled songwriters in the scene.“ In supportof the record, he embarked on his first solo tour, selling out venues coast-to-coast in 2018.For all of its acoustic power, he knew his next record would be a „louder“ affair.“I knew I wanted to turn up the volume on the next endeavor,“ he affirms. „Probably because I reallywanted to revisit my passion for playing lead guitar. I missed it tremendously. Since I play in two bandswith incredible guitarists, I don’t play lead as often as I used to. It’s funny. I actually never intended to bea singer! Back in the day, I used to do session work and play guitar in various bands with an emphasis onleads and improvisation. Once I started writing songs, singing became more of the focus. So, I wanted togo back to that earlier approach, plug in, turn the amps up to 11 and improvise to my heart’s content.“As the world slipped into lockdown at the onset of the Global Pandemic, Myles simply „marched down toGuitar Center, picked up a brand-new Universal Audio interface, went back home, and just startedworking.“ He grabbed his guitar, wrote his heart out, and recorded demos at his home studio in Spokane,WA.After four months of demoing, he hopped in the car with his rhythm section, drummer Zia Uddin andbassist Tim Tournier and they drove over 3,000 miles to Studio Barbarosa in Orlando in order to recordwith longtime producer Michael „Elvis“ Baskette.“To get together with Elvis and his crew was actually a nice break,“ he smiles. „It was like rock ’n‘ rollsummer camp.“Now, Myles introduces The Ides of March with the high-flying hook and groove-driven guitar of „In Stride.“A Texas blues lick rolls underneath upbeat verses before his vocals lift off on the unshakable refrain.“That track serves as a reminder to chill out and maintain a level of perspective during these strangetimes,“ he exclaims. „During the first wave of the lockdown, people were freaking out, buying up vastamounts of toilet paper and supplies to build their stash for the end of civilization. It felt as if we were alldoomsday prepping. After stepping back and realizing that this too shall pass, I began to understand itmight be best to keep calm, carry on and take it all in stride.“A commanding riff thumps along with a bold beat on the opener „Get Along.“ In between an immortalhook, Myles asserts on the bridge, „The answer in the end was never black or white,“ before a melodicsolo seals this impactful message in stone.“The lyric was actually inspired by the Los Angeles riots that occurred during the early nineties,“ hereveals. „It was penned in late March before the protests happened later during the summer of 2020. Ididn’t have any idea what was coming. In fact, I didn’t even know if the lyric would resonate, because itwas based on events that took place nearly thirty years prior. Now, I realize it rings truer than ever.“Serving as a powerful centerpiece, the title track „The Ides of March“ stretches over seven minutes andwrithes through a delicate acoustic intro where his voice barely registers above a whisper as he cautions,“Beware the Ides of March.“ Underpinned by unpredictable six-string sorcery, it segues from a lyrical leadinto a fiery final crescendo punctuated by scorching shredding as he assures, „Cool heads prevail in timesof change.““It’s an epic journey,“ he states. „the genesis of the initial progression and melody came to me in a dream.So, after I woke up, I grabbed my phone and a guitar and recorded it. Coming up with rest of the song wasnot as effortless,“ he laughs. „It needed to be nurtured, because I felt like it was going to be thecornerstone of the album. From a lyrical standpoint, the first half serves as a warning. It paints a sonicpicture of a very dark dystopian future. The title is a reference to Shakespeare’s Julius Caesar and thecautionary phrase, ‚Beware the Ides of March‘. The second half breaks from the bleak outlook to remindus that we can do better if we remember who we are and what we’re meant to be as a society. Though ittook months to complete, it was worth it in the end for me. It turned out to be very cathartic. Not onlydoes it inspire me to remain optimistic for the future, it reminds me how to conduct myself throughoutthis tumultuous time in history.“Then, there’s „Love Rain Down.“ Nodding to guitar techniques pioneered by country blues legend Big BillBroonzy, Myles fingerpicks his acoustic as he lyrically issues, „a plea born out of longing for answers andsolace from all of the dark possibilities of the day.“In the end, every side of Myles shines brighter than ever on The Ides of March.“Lyrically, this album draws on the raw, dark set of emotions we have collectively experienced over thelast few years,“ he leaves off. „Though the songs were inspired by a real sense of fear and uncertaintypervasive in the world, they still maintain an undercurrent of hope for what’s to come. Hopefully, thesesongs will remind the listener that we haven’t reached the end. That things are going to get bettereventually. Musically, this record has allowed me to continue to challenge myself. In doing so, I hope itwill help me to evolve not only as a musician, but as a human being. I’m a work-in-progress,“ he grins.- Rick Florino, January 2021